Copyright © 2017 Herbie Martin Music UG (haftungsbeschränkt)

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EAR013
Format: CD
Release date: 20.10.2015
Genre: Jazz


Mister Ott’s second album ‘Single Shot’ sees the band expand their Ethiojazz sound to incorporate psychedelic guitars, reverb-drenched horns, intergalactic keys, and a crunchy drum/bass combo. The result is a mesmerising marriage of eastern sounds, tight jazz/funk instrumentation, and hypnotic dance grooves with a psychedelic edge. The music blends native melodies with improvisation for which Afro-jazz is renowned. Sure to be enjoyed by fans of Anderson .Paak, badbadnotgood, Mulatu Astatke and Fela Kuti alike. credits

Jeremy Rose Quartet - Sand Lines

€10.99Price
  • TRACK-LIST:
    1. Sand Lines 11:40
    2. The Long Way Home 08:52
    3. Hegemony 09:18
    4. Mind Over Matter [For Dave Ades] 08:30
    5. Precipice 06:13
    6. Debt Spiral 09:28


    LINE-UP:
    Jeremy Rose - alto and soprano saxophone
    Jackson Harrison - piano
    Alex Boneham - double bass
    James Waples - drums and percussion
    Carl Morgan - guitar


    PRESSE:
    4 & 1/2 STARS THE AUSTRALIAN
    “Rose has assembled a group of players perfectly capable of understanding and interpreting these elegant works.”

    WWW.CUTCOMMONMAG.COM
    “This latest recording demonstrates Rose at his best and perhaps marks a watershed moment in his composing and jazz career…. his writing is melodious, textured and considered.”

    WWW.AUSTRALIANJAZZ.NET
    “I have always been intrigued, amazed, challenged and – to be frank – totally gassed by his restless artistic nature and his consistently questing music, both as a composer and as a soloist… it is a delight to hear Rose back in the arms of (almost) straight-ahead Jazz – an added delight is to hear him rocking so sweet and heavy in those arms.”

    THE MUSIC TRUST
    “The forms here quite often depart in original ways… and the jazz focus allows perhaps more licence for some high virtuosity.”

    SYDNEY MORNING HERALD
    "The expansive title track has skipping propulsion without ever seeming to burn any energy, and its melody and subsequent improvising dance across this propulsion without ever touching the ground."
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